![]() ![]() “Ultimately, jewellery designing is an art form and it’s the pinnacle of that,” she says. Click the answer to find similar crossword clues. Enter the length or pattern for better results. The Crossword Solver finds answers to classic crosswords and cryptic crossword puzzles. Garrard’s Prentice believes hand-painted designs are here to stay. The Crossword Solver found 30 answers to 'Paintbrush display', 6 letters crossword clue. The trouble comes when people are not honest about what technique they are using.” She hopes there is space in the industry for both digital and handcrafted approaches. “Gouache is very popular, tech is very popular. She says technology can produce beautiful images and animations that are artworks in their own right but that she has also “seen some big houses try and pass off Procreate as gouache”. Much of her work comes through The London Art Works, which manufactures for top jewellery houses. Parker, though, is sworn to secrecy on the identity of her clients. This has given new visibility and value to freelance artists in the sector.” “However, in recent years, the creative process, and in particular the gouache drawings, are highlighted by certain major jewellery brands as well as the presentation of their creator. “But the authenticity of a work is a precious value and the big houses have always known it, except that previously only the pieces were valued. “It is true that technologies bring facilities that are obviously exploited in the jewellery industry,” he says. It takes him between eight and 20 hours to do a gouache drawing of a ring, depending on the number of angles he shows, while a necklace can consume a week or more. Gouache is one of two techniques Belgian jewellery designer Fred Fa uses when creating his pieces, the other involving ballpoint pen and colour markers. It seems a timely switch: demand for gouache illustrations, a longstanding technique particularly popular with French houses, is growing. “It’s very much marketed as their process because that is part of the experience of high-end jewels, the artisanal process . . . all these skilled hands that the piece has passed through,” says Parker, who swapped a 15-year career as a diamond mounter for illustration at the start of the Covid pandemic. Customers are also shown the illustrations to understand how a piece will look when it is produced, and then receive the artwork with their finished jewellery. Many of her paintings depict finished jewellery, with brands using them for press and marketing purposes. “The cuts are all so different, the colours and the hues are so different.” ![]() The freelance jewellery designer and gouache illustrator creates detailed paintings of pieces to scale, marking a pencil outline before starting in gouache with the “hardest bit” - the gemstones. ![]() It is at a small desk tucked into a “tiny corner” of her bedroom in Hertfordshire that Stasia Parker brings high jewellery designs to life on paper. ![]()
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